His work traces how desire moves through images, objects, and spaces—that peculiar sensation that tells us how we want things to look and feel. It’s the friction between seduction and symbolic value that materializes new forms of aesthetic manipulation. Image awareness, sensual materials, and synthetic interfaces make up the stuff that wields aesthetics as a persuasive perceptual device.
Working across spatial intervention, image-making, and performative objects, he creates environments that exploit the gap between what we project phantasmatically and what we inhabit physically. This type of work seeks to mobilize technology as a social technique and collapse the context between critical discourse and market desire.
kann.marcel@gmail.com
@marcel.kann